
Movies at the Boat House is a not for profit community movie theatre, 35 seat microcinema, located in Tuckerton, Ocean Country . Our mission is to engage, enrich ,and entertain featuring Americana classics-international-cult-and art house favorites


All Shows $10.00 • CASH ONLY ​AT THE DOOR
Our early shows and late shows are separate admission
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​DOORS OPEN 15 MINUTES BEFORE SHOWTIME
Let's have some fun . Help us program our April movie schedule by sending your thoughts on a film you would like to see here. Please remember our programming leans toward older films You never know we might pick your choice.

CREATURE FROM THE BLACK LAGOON
FRI. APRIL 24TH • 5:15 PM
1955, Horror
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Few creatures in cinema have endured with the eerie grace of the Gill-man from Creature from the Black Lagoon, a film that still ripples with atmosphere and fascination more than seventy years after it first surfaced.
Directed by Jack Arnold, this 1954 classic drops us deep into the Amazon, where a scientific expedition stumbles upon a prehistoric amphibious humanoid. What unfolds is part adventure, part horror, and part tragic romance, as the creature becomes both predator and misunderstood relic of a lost world.
What makes Creature from the Black Lagoon endure is its mood. Shot in luminous black-and-white, the film transforms water into something mysterious and unknowable.
The underwater sequences remain astonishing, especially the balletic scenes between the Gill-man and Kay, played by Julie Adams. There’s a strange beauty to these moments that elevates the film beyond simple monster thrills

81/74- RATING



AMERICAN UTOPIA
FRI. APRIL 24TH • 7:15 PM
2020, Musical
Leave it to David Byrne to turn a concert film into something closer to a living, breathing piece of theater—and leave it to Spike Lee to capture it with pulse, precision, and purpose.
Filmed during Byrne’s celebrated Broadway run, American Utopia is no ordinary rock show. It begins spare and cerebral—Byrne alone, barefoot, holding a model brain, musing on connection—before blossoming into a kinetic, communal explosion of sound and movement. Eleven musicians drift onstage one by one, instruments strapped to their bodies, untethered by wires, transforming the performance into something fluid, almost tribal. The result is part concert, part choreography, part philosophical jam session.
The setlist is a deft weave of Byrne’s new material and beloved classics. From the American Utopia album come standout tracks like “Here,” “Everybody’s Coming to My House,” “I Dance Like This,” and “This Is That”—songs that feel sharper, warmer, and more human in this live setting.
Then come the jewels from his Talking Heads catalog:
“Once in a Lifetime,” “Burning Down the House,” “This Must Be the Place,” and “Road to Nowhere”—each reimagined with percussive urgency and ensemble precision. These aren’t nostalgia plays; they’re reinventions, pulsing with new life and communal energy.

97/85 RATING


